Amir Nadi
Holds the strategic line end-to-end. Background in editorial, brand, and launch films.
Onnne started from a single conviction: the brands worth following are the ones whose stories were built on purpose — not the ones with the loudest ad budget. Most modern marketing is noise. The work that lasts is editorial.
We sit at the intersection of three crafts most studios split: production turns a product into something worth watching; distribution makes sure the right people watch it; community keeps them showing up after the launch is over. One team holds all three so nothing gets lost between them.
We work small on purpose. Two to three engagements at a time, six to twelve months each. The point is not volume — it's the kind of work that becomes the reference your category cites for years.
One operator on the line for the whole engagement. A small bench of trusted collaborators — directors, designers, editors, community leads — pulled in when the work asks for them.
No account team between us and the work. No decks made just to justify the next deck. We move at the speed of decisions, not approvals.
Holds the strategic line end-to-end. Background in editorial, brand, and launch films.
Documentary and brand films. Shoots in-house for most engagements; books a DP when the format asks.
Identity systems, type, motion. Comes from a publishing background — runs the editorial side of every brand build.
Cuts the long and the short form. Reels, episodes, trailers — same hand, same rhythm.
Runs Discord and Telegram programmes, ambassador rosters, and AMA cadences. Lives where the audience lives.
Topic strategy, narrative framing, distribution roadmaps. Embedded for the first six weeks of every engagement.